Maybe, if we take truffaut at his word, apocalypse now can’t assist but propose warfare merely through the act of recreating it as artwork. However maybe that doesn’t prevent the movie from conveying coppola’s riding theses: that struggle turns guys into monsters, leads them on a descent into a primal, lawless country of thoughts, and that war is itself hell, an ominous phrase now made into cliché by using dint of gross overuse between 1979 and these days. If the film innately sanctions warfare via depiction, it does no longer sanction battle’s impact on the humanity of its contributors.
In truth, apocalypse now stays one of the most profound illustrations of the corrosive impact country-sanctioned violence has on a person’s spirit and psyche. It’s lovely that during 2017, we’re k with quoting this movie in gratingly lousy at&t commercials, or repurposing its length backdrop for the sake of creating king kong take place for present day audiences for a second time, but there’s not anything adorable, or maybe all that quotable, approximately it. Apocalypse now sears, sickens and scars; it’s a movie that manufacturers itself in our recollections as only the grimmest displays of human depravity absolutely can.